supported by 30 fans who also own “The Two Sides of Monsieur Valentine”
This is undoubtedly my single favorite album of all time. It feels like such a perfect culmination of all the themes and ideas Fleet Foxes has been working with since 2008. It answers many of the questions found on both Helplessness Blues and Crack-Up, and represents an incredible maturation and growth in Robin Pecknold's perspective. Their other albums are certainly masterpieces, but this, in my opinion, is their magnum opus. I doubt it will be recognized as such in its time. isaiah_stuart
Another devastatingly beautiful batch of indie rock confessionals from Ontario singer, producer, and multi-instrumentalist Linnea Siggelkow. Bandcamp New & Notable Apr 28, 2024
The experimental rock band's new record is as melodic and inventive as ever, but now with an even more honed sense of play. Bandcamp New & Notable Apr 27, 2024
Ross J. Farrar of Ceremony creates dubby outside punk evoking the minimalism of Young Marble Giants on his second solo record. Bandcamp New & Notable Apr 27, 2024
supported by 26 fans who also own “The Two Sides of Monsieur Valentine”
I love This Isn't Helping. The National is such a joyful band live, but always my go-to when I need a good cry in the privacy of my room. This album is already a favorite. Beautiful. HPayson